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四川广元多名干部因疫情防控工作落实不力被处分_我的网站

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中新网广元9月13日电 (苗志勇)13日晚，四川省广元市纪委监委通报了该市近期三起疫情防控工作落实不力典型问题，多名干部被处分，相关责任单位向广元市委市政府作出书面检查。
The 38th Hundred Flowers Awards ceremony is held in Beijing on August 10, 2026. Photo: VCG

The 38th Hundred Flowers Awards ceremony is held in Beijing on August 10, 2026. Photo: VCGWhen the 38th Hundred Flowers Awards, one of China's three major film awards, concluded in Beijing on Tuesday, AI emerged as one of the event's new participants, alongside the stars on the red carpet and filmmakers receiving honors.
For the first time in the 64-year history of the awards, this year's edition introduced an AI-generated content (AIGC) recommendation unit, giving AI-generated films a new pathway into a major film award platform.
The move reflects a broader shift in the relationship between technology and cinema.
Rather than replacing filmmakers, AI is increasingly seen as a creative tool that lowers production barriers, expands visual possibilities and allows more people to turn ideas into films, Zhang Peng, an associate professor at Nanjing Normal University, told the Global Times.
The AIGC recommendation unit, launched on June 30, attracted 2,038 entries from around the world in just over a month. After evaluation, six productions received the "Hundred Flowers AIGC Recommendation Honor," covering categories including animation, visual effects, technology, creativity, directing and short films.
For many young filmmakers, AI has opened a new path into the industry. Multiple award-winning creators said at a seminar on the sidelines of the Hundred Flowers Awards that AI tools such as Jimeng and the Seedance model helped them with visual development, shot design, dubbing and maintaining emotional continuity.
Zhang Bohang, a representative of the team behind Yi Meng (A Dream), which won the award for Best Animated Work, said at the seminar that animation had long been a dream for the team, but high production costs had previously made it difficult to bring that dream to life. "The emergence of AI has given us a way to make our dreams come true," he said.
Lu Qiwei, a representative of the creative team behind Yecha Crossing the River, which won the Best Creative Work award, said at the seminar that Seedance allows creators to input characters, scenes, visual styles and directorial ideas, then select and organize the generated material themselves.
However, filmmakers at the event also emphasized that AI does not replace human creativity. Director Liu Shuheng, whose work Out of Control received recognition, said AI had lowered the threshold for creating visual images while raising the expectations for creators' decisions.
"AI makes it easier to create a picture, but it also makes people think more about why they choose to shoot it this way," Liu said at the seminar.
The shift is not limited to AI-powered filmmaking. The awards are also expanding recognition for emerging forms of storytelling.
The 38th Hundred Flowers Awards also introduced a new short-drama recognition section, marking the first time the awards had recognized short dramas. It marked the first time the awards had included short dramas in their recognition system, organizers said.
AI also featured prominently in the event's audience experience. Global Times reporters observed interactive installations that allowed audiences and celebrities to generate personalized digital keepsake photos, while AI was also used during the red-carpet livestream to provide real-time commentary, answer viewer questions and enhance visual backgrounds.
The Hundred Flowers Awards' embrace of AIGC comes as major Chinese film festivals increasingly explore AI's role in cinema.
Since its launch in 2024, the Beijing International Film Festival's AIGC Film Section has been the first dedicated section at a major film festival worldwide to focus on AI-powered image-making. Meanwhile, the Shanghai International Film Festival this year has launched a new "AI Studio" section, aiming to create the first experimental platform dedicated to exploring AI-assisted collaboration in film production.
From competition entries to audience experiences, these developments suggest that AI is no longer just a behind-the-scenes production tool, said Zhang.
"AI is gradually moving beyond being a filmmaking tool and becoming part of the broader film festival ecosystem," Zhang noted.
"From AI-generated films to short dramas, the move also shows how China's mainstream film platforms are embracing emerging formats and recognizing new forms of storytelling."
。8月21日，西安来广高风险人员张某某(后确诊为新冠肺炎轻型)抵达广元火车站后，广元火车站卡口未严格按照要求对其实施隔离管控和及时转运，造成两名工作人员感染。广元市纪委给予广元火车站点长孙长江(市供销社党组成员、机关党委书记)党内严重警告处分。8月21日，新疆来川人员蔡某某(后被确诊为新冠病毒无症状感染者)抵达广元火车站等候闭环转运，卡口点长孙长江、工作人员刘小龙(市供销社社有企业科科长)将其交由负责青川转运工作的龚洪平(广运集团青川公司外聘人员)后未再过问，而龚洪平以其户籍地和目的地不在青川县域为由拒绝转运，导致蔡某某脱管失控，青川县城区因此实行临时性管控措施。

B | 广元市纪委给予孙长江党内严重警告处分(与前述问题合并处理)，将龚洪平涉嫌违法问题移交公安机关依法处理；广元市纪委监委驻市经济和信息化局纪检监察组对刘小龙批评教育；青川县纪委对牵头负责青川转运工作的青川县交通运输局党组书记、局长母国强批评教育，对安全总监敦春光予以诫勉。

C | 8月24日，西藏那曲来川人员任某某(同车共4人)因出现发热等症状在广元南龙潭收费站卡口下高速，该卡口点长段明东(市人防办工作人员)请求广元市利州区卫健局党组成员、副局长张晋铭安排对其转运，张晋铭提出将4人劝返，段明东听从其建议未再请示报告，并将4人劝返，任某某改从剑门关收费站卡口下高速后确诊为新冠肺炎轻型，造成疫情传播风险。市纪委监委驻市应急管理局纪检监察组对段明东批评教育，利州区纪委给予张晋铭党内警告处分。上述三起事件，反映出交通运输部门在疫情防控工作中，统筹协调不力，培训指导不到位，市纪委对广元市交通运输局党组成员、副局长陈林河批评教育。